Best Citizen Trump: A One Man Show By Robert Orlando

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Citizen Trump: A One Man Show-Robert Orlando

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“Trump knew from early on that he who controls the story controls the world.”Writer/director Robert Orlando, locked down during the Covid-19 pandemic, learned Citizen Kane was Trump’s favorite film, and the parallels were astonishing. Both Kane and Trump are swaggering masters of media, and both claim to stand for the working man. “Orson Welles, the boy genius of Kane, was possessing me from the grave,” states Orlando.In Orlando’s acclaimed documentary Citizen Trump, we witness Trump, like Kane, trying to escape unglamorous beginnings. A decades-long effort to rise as aspiring Hollywood mogul, real estate player, darling of gossip columnists, casino owner, dabbler in politics, and reality TV star. Each new stage was a rehearsal for his role as president. In this follow-up to the film, Orlando takes an even deeper dive into the nature of Trump’s background as an entertainer—and how it led to the miraculous upset of Clinton and his rise as president.Truth-be-told, Kane was crushed by scandal; Trump was not. He triumphed above front-page divorces, bankruptcies, unprecedented media attacks, and political chaos. Did his failed attempt at re-election end his star power? Citizen Trump gives us our looking glass.“Filmmaker Robert Orlando probes some of the secrets of Trump’s obsessions, and finds answers in what the president has described as his favorite film [Citizen Kane]…. Striking, very watchable. Fascinating film!” —Michael Medved, Movie Critic“Robert Orlando’s 2020 documentary shows Trump’s favorite film is a road map to his methods.” —Joseph Serwach, Medium“To do so, he tells President Trump’s life story in the cinematographic style of Citizen Kane, incorporating the iconic snow globe, the campaign poster, and even the mysterious word (‘Rosebud’) that is central to Orson Welles’ masterpiece.” —Gabriel Andrade, Merion West“Through the lens of the 1941 classic Citizen Kane, a documentary filmmaker seeks to understand the life journey of President Trump and his successful venture into politics.” —Josh Shepherd, The Federalist“This is the fascinating parallel that inspired Robert Orlando. The film is remarkable—truly in the literal sense. It’s visually engaging, if not riveting.” —Paul Kengor, The American Spectator

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Filmmaker and author Robert Orlando confesses, “In the end, who’s to say this writer isn’t as subjective as [Orson] Welles and merely putting on another show just to entertain you? After all, just like Welles did with [Citizen] Kane, I am finding something familiar in Trump. As an author and filmmaker, I spend many hours competing for airtime and needing the stage as a place where we remind ourselves we are not alone.”You gotta like this guy! (No, I don’t mean you gotta like Donald Trump. I mean Robert Orlando.) His fascinating book (and movie), “Citizen Trump: A One Man Show,” will challenge your deeply-held convictions—whether blue or red.Robert Orlando focuses in on the dilemma of leaders who “lose awareness of their own corruptibility,” and the archetype of “the leader as trickster (or shapeshifter), one who can hold an audience without restriction.” He notes, “I wanted to capture that in this book, not only for those in my age group but with millennials in mind, those who do not have the length of life to see the patterns of those who come and go, rise and fall.”“What I want to tell them is to be like Welles, bold and independent-minded. Forget the herd and find your own voice. And for God’s sake, watch the great films, the stories about ourselves and the hero’s journey. Thank God for movies,” he adds!Last September 2020 (before the U.S. presidential election), Robert Orlando released his film, “Citizen Trump,” contrasting Donald Trump with “Citizen Kane”—Trump’s favorite movie. Orson Welles’ acclaimed film received nine Academy Award nominations and won the Oscar for Best Writing.The 2020 documentary film release date for “Citizen Trump” was intentional—before the election. Would the real ending matter? Would Trump rise or fall? Would the fall of the fictitious character, Charles Foster Kane (a composite character based on William Randolph Hearst and others), foretell Trump’s fall?Note: “cancel culture” isn’t new. Hearst prohibited the 1941 film from being mentioned in his newspapers. Fast forward: many critics today still consider “Citizen Kane” to be the greatest film ever made.Gratefully, Robert Orlando has now written the book (with 2020 in the rear-view mirror). And so with a historian/filmmaker’s insights, he spotlights key events in the Trump saga—skillfully positioning his camera to illuminate the Trump persona and the Trump/Kane contrasts. Did I mention it’s fascinating?I’m addicted to U.S. presidential biographies (with Winston Churchill thrown in to properly position the grading curve). And while we don’t have five, 10, or 20 years for a proper look-back, this book is a page-turner—and Orlando’s new prompted me to watch the “Citizen Trump” film one more time.I’m more of a reader than a listener or viewer—so the “Citizen Trump” book is the perfect companion to the film. And it’s a page-turner. (Hmmm. The bibliography is immense. I wonder what all those authors think about Trump’s persona?) Orlando has done his research—extensive research—on our 45th president and it shows.Orlando, the filmmaker and author of other works including “Silence Patton” and “The Divine Plan,” brings a unique voice to 2021.The chapter titles in “Citizen Trump” are just too tempting!• A Modern-Day Kane• Reality TV Kingpin• The Trickster Candidate• Channeling Trump• The Faceless Enemy• And more…Many readers, I’m guessing, will equally appreciate the jam-packed appendix—with surprising background information and context. Orlando notes Trump’s appreciation for Carl Jung from Trump’s 2004 book, “How to Get Rich.” Trump writes, “I have to stress that I am not cynical, but I am aware. I hate being in situations where I’m asking myself, How could this have happened? This reminds me of my favorite quote from Napoleon about being surprised: A good leader shouldn’t be.”So…if you’re a leader, maybe you won’t be surprised with the jewels in the appendix! Check out the mini-chapters:• Rosebud Works• The Mask Is the Message• The Forgotten City on a Hill• It’s the Media, Stupid!Again, whether you lean red or blue—I urge you to read this book. Orlando’s intentions are trustworthy: “…my aim was not to produce a political film. As an independent filmmaker, I was more interested in pursuing a deep character study into one of the most controversial figures of our time. My template was not a Right vs. Left, faith vs. nonfaith, or even madness vs. sanity paradigm, but to explore the archetypes of storytelling as expressions of interior character, especially where Trump and Kane were so amazingly similar.”After you read “Citizen Trump” (or view the “Citizen Trump” film), you’ll find it impossible not to view “Citizen Kane” again. Both films lend themselves to the perfect case study for your next weekly staff meeting—or perhaps late-night viewing at your next staff or board retreat.Orlando writes, “My fascination with Kane began in film school when I first felt the power of sound, light, and action in the hands of a master. Welles—to me—was a titan, all four faces of cinema’s Mount Rushmore: actor, producer, writer, and director. He was also a theater and radio star.”Orlando, again: “My pick for best film of all time goes to “Citizen Kane,” a seamless visual masterpiece and a technical inspiration. In this one film, Welles introduced myriad innovations, breaking form and storytelling in new ways. It was incomparable at the time, almost docudrama in style.”He adds, “The film is a work of genius and also a cautionary tale.” We’ll wait another 80 years to see if the “Citizen Trump” film and book qualify for “a work of genius.” But…the Trump saga is clearly a cautionary tale. As I mentioned in my review “Fight House: Rivalries in the White House from Truman to Trump,” by Tevi Troy, remember this wisdom from Ecclesiastes: “There’s nothing new on this earth. Year after year it’s the same old thing. Does someone call out, ‘Hey, this is new’? Don’t get excited—it’s the same old story.”
In Citizen Trump: A One Man Show, Robert Orlando’s new book shows how Donald Trump, like Charles Foster Kane (media mogul turned political candidate), inspired the character who stole the oxygen every other story since 2015.Typically, when an author writes or speaks about Donald Trump, you know within 30 seconds whether the speaker loves or loathes Trump (few are anywhere in between). Because Trump grabs our emotions, most reports on Trump tend to either be positive gushing (like an adoring school girl in love) or negative emotional venom (like the complaints of a bitter, angry ex).Orlando has a particular fascination for “the anti-hero,” often tragic, full of flaws (both reviled and adored), all unlike anyone else. His latest book details how Trump modeled himself after the anti-hero in the 1941 film classic Citizen Kane.Orlando, always the movie maker in pursuit of truth, offers something both Trump lovers and Trump haters can appreciate: a better, truth-filled explanation of the “Trump method” of chasing media and using it to advance his goals:Orlando masterfully shows Trump as a lion chasing, battling, and dining on a media pack of wolves. Orlando’s book reveals:- Film and television teach us to explore and understand “the archetypes of personality, what Swiss psychologist Carl Jung would describe as a persona.”- More than a century of watching film/TV has conditioned us to quickly recognize and identify character “types” from the bully to the damsel in distress to the hero and the trickster.- Jung taught “everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.” The repressed never gets corrected, driving emotions “underground” until they explode.- Media setting itself up as “referee, the audience and the judge” only enables an intense showman, unfiltered media avatar, and anti-hero to flip the tables on the establishment.- Trump details Jung’s persona theories in his 2004 book, How to Get Rich, how we use masks to create personas, to “provide a way to perform in the world. We have a public mask and a private mask.” Yet, Trump quickly recognized that a man could delude himself into becoming the character behind the mask if he’s not careful.Trump, like Citizen Kane, “mastered the mask,” Orlando argues. Trump, he shows, chased media, TV, and film, most of his life, studying Citizen Kane and replicating it with his understanding of media, becoming a showman. He asks:“How is it that audiences still think the show is about political bad guys and good guys but miss the scripted story behind the surface presentation? Trump created a distinctive persona.”

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